Swift saves the most unexpected pairing for the last, show-stopping cut on the album’s standard edition (the Target version includes three bonus tracks, along with fascinating work-in-progress phone recordings of three songs). How Taylor Swift Got Mark Romanek to Direct ‘Shake It Off’ Surprisingly, the famous figure who gets the most elaborate attention is Lana Del Rey: Swift flat-out mimics her on “Wildest Dreams,” flitting between a fluttery soprano and deadpan alto, flipping lyrics so Lana - “His hands are in my hair, his clothes are in my room” - that it’s hard to tell if the song is homage or parody. Lyrical references to him are all over the album: There are several vehicular-mishap analogies (the pair were in a snowmobile accident in 2013) and even a song called “Style.” But Swift has said the LP’s most bitter song, “Bad Blood,” a simplistic anthem of betrayal that sounds reminiscent of Gwen Stefani‘s “Hollaback Girl,” is directed not at an ex-lover but a shade-throwing female peer (consensus points to Katy Perry). Swift says she has hardly dated since splitting with One Direction‘s Harry Styles early in 2013, and the songs’ musical styles follow the character types she plays on the album: train wreck waiting to happen (“Blank Space”), committed partner (“I Know Places,” “This Love”), penitent breaker-upper (“I Wish You Would”), spurned break-upee (“All You Had to Do Was Stay”).
#TAYLOR SWIFT 1989 FULL ALBUM FULL#
Taylor Swift’s ‘Shake It Off’ Single Review: The Country Superstar Goes Full Popįrom there, in signature Swift style, it’s almost all love - or at least relationship-based - songs. The self-referential change-of-scenery theme is set with the opening “Welcome to New York.” Its new-wave hook and innocent lyrics - “The lights are so bright, but they never blind me” - make it the ideal anthem for an Anne Hathaway film, or any 24-year-old moving to the big city, as Swift recently has (albeit into a $20 million Tribeca penthouse). But Martin and other key collaborators (including Shellback, Ryan Tedder and fun.‘s Jack Antonoff) have helped hone her songs, which are more seasoned and subtle, less bubbly and bratty, than in the past. The songwriting is still unmistakably Swift, with her polysyllabic melodies and playful/-provocative lyrics. Taylor Swift Sprints Forward on ‘Out Of The Woods’: Song Review The mandolins and violins were left back in Nashville, and there might not be a single live drum on the album. The guitars, when they’re there at all, deliver mostly texture an acoustic is audible on just one song. Sonically, 1989 is far more electronic than her previous work, driven by Martin’s trademark drum programming and synthesizers, pulsating bass and processed backing vocals. the duo voices wow.Taylor Swift to the Haters: ‘If You’re Upset That I’m Just Being Myself, I’m Going to Be Myself More’ This is so beautiful! I like your versions of these songs more than some of the originals! You are so incredibly talented!! Comment by Dieuvous Garde langstang
Your voice is beautiful ❤ Comment by Kate Aston Although it's making me bawl! Comment by stinkies2003 OMG I'M YOU'RE BIGGEST FAN Comment by pineapple.tidbitsĬool voice bruh! I really need to learn how you did this even when I am a singer.? Comment by user994780471
Wow!!! Awesome medley!!! Comment by Sherryīeautiful voice level😜😜😍✌✌ Comment by rd Omg i love this song Comment by DBZ Fan Over 9000
Girl you sound like a angel ✨✨✨😍😍 Comment by Madilynn Young
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